Garlic and Sapphires: The Secret Life of a Critic in Disguise
Author: Ruth Reichl
Ruth Reichl, world-renowned food critic and editor in chief of Gourmet magazine, knows a thing or two about food. She also knows that as the most important food critic in the country, you need to be anonymous when reviewing some of the most high-profile establishments in the biggest restaurant town in the world-a charge she took very seriously, taking on the guise of a series of eccentric personalities. In Garlic and Sapphires, Reichl reveals the comic absurdity, artifice, and excellence to be found in the sumptuously appointed stages of the epicurean world and gives us-along with some of her favorite recipes and reviews-her remarkable reflections on how one's outer appearance can influence one's inner character, expectations, and appetites, not to mention the quality of service one receives.
"This wonderful book is funny-at times laugh-out-loud funny-and smart and wise." -The Washington Post
"Reichl is so gifted . . . the reader remains hungry for more." -USA Today
"Expansive and funny." -Entertainment Weekly
The Washngton Post - Jonathan Yardley
… as a memento of her time at the Times she gives us this wonderful book, which is funny -- at times laugh-out-loud funny -- and smart and wise. Maybe a bit too much food talk, but that isn't what matters, which is Reichl, and she's a gas.
The New York Times - David Kamp
The meat of the book, its selling point, is its revelation of the elaborate lengths to which Reichl went to conceal her identity as she reviewed restaurants, and how this affected both her work and personal life. Early on, Reichl decided to take a populist approach, shrouding herself in anonymity in order to avoid the amped-up service and extra truffle shavings and cremes brulees that restaurateurs bestow upon V.I.P. guests. In Garlic and Sapphires, she recounts how she enlisted her mother's old friend Claudia Banks, a retired acting coach, to create various non-Ruth personae for reviewing purposes, each with her own back story, wardrobe, wig and name.
Publishers Weekly
As the New York Times's restaurant critic for most of the 1990s, Reichl had what some might consider the best job in town; among her missions were evaluating New York City's steakhouses, deciding whether Le Cirque deserved four stars and tracking down the best place for authentic Chinese cuisine in Queens. Thankfully, the rest of us can live that life vicariously through this vivacious, fascinating memoir. The book-Reichl's third-lifts the lid on the city's storied restaurant culture from the democratic perspective of the everyday diner. Reichl creates wildly innovative getups, becoming Brenda, a red-haired aging hippie, to test the food at Daniel; Chloe, a blonde divorcee, to evaluate Lespinasse; and even her deceased mother, Miriam, to dine at 21. Such elaborate disguises-which include wigs, makeup, thrift store finds and even credit cards in other names-help Reichl maintain anonymity in her work, but they also do more than that. "Every restaurant is a theater," she explains. Each one "offer[s] the opportunity to become someone else, at least for a little while. Restaurants free us from mundane reality." Reichl's ability to experience meals in such a dramatic way brings an infectious passion to her memoir. Reading this work-which also includes the finished reviews that appeared in the newspaper, as well as a few recipes-ensures that the next time readers sit down in a restaurant, they'll notice things they've never noticed before. Agent, Kathy Robbins. (On sale Apr. 11) Copyright 2005 Reed Business Information.
Library Journal
Reichl follows up two charming memoirs with an account of the various disguises she donned so she would not be recognized as restaurant critic of the New York Times. Copyright 2004 Reed Business Information.
Kirkus Reviews
Tasty revelations of Gourmet magazine editor Reichl's undercover antics as the former food critic at the New York Times. Some readers might pause at the thought of a third volume of memoirs from a woman not even through her middle age, but for foodies with a penchant for the inside scoop, Reichl's behind-the-scenes stories of the Gray Lady deliver the goods. Before working at the Times, Reichl was quite happy writing restaurant reviews at the Los Angeles Times; she was wooed and won in spite of her misgivings. Almost immediately, her photo was posted in restaurant kitchens across the city. In response, Reichl embarked on a cloak-and-dagger-or wig-and-pseudonym-campaign that she carried on through her tenure at the paper. Her first role was as the fictional Molly Hollis; to achieve the transformation, Reichl donned the wig, suit, padding and makeup she imagined for the character of a midwestern, middle-aged, former schoolteacher. She also dressed up as a flamboyant redhead, a nearly invisible elderly lady, and her own inimitable mother. Where Reichl went, controversy followed. As Molly Hollis, she had a dreadful experience at Le Cirque, prompting her to take away the restaurant's fourth star. A casual Californian, she widened the paper's scope to include as many truly fine restaurants as she could find, touting soba, bulgogi and sushi to readers more accustomed to reading about Continental cuisine. Here, some characters are disguised, while others, such as her predecessor Bryan Miller, whose campaign against her was revealed in the gossip column of the New York Post, are right out in the open. Reichl also discusses her disrupted family life. And then there's the food: Reichl excels atmaking long-gone meals live vividly on the page. Spicy and sweet by turns, with crackle and bite throughout. Author tour
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